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Sinekli Bakkal, or, The Clown and his Daughter, Part I: Translated from the Turkish
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This is part I of the seminal novel by Halide Edip Adivar, a writer and feminist who fought for Turkish independence in Ataturk's army. She originally published it in English as The Clown and His Daughter in 1935. She then translated it into Turkish and published that version as Sinekli Bakkal in 1936. This is a translation of the Turkish version; the translator has not seen the English version. It is a nostalgic and loving look at the declining years of the Ottoman empire under the Red Sultan, Abdulhamid II, as seen through the adventures of Tevfik, the Clown of the title, who plays the female role, the Zenne, in the traditional Turkish theater art form, the orta oyunu, related to commedia dell'arte, as well as doing shadow puppets, or Karagoz. His daughter, Rabia, is trained by her grandfather, a fire and brimstone Imam, to sing the response in the mosque, but she also learns the art of love songs from the cruel but cultured Justice Minister, Selim Pasha. And there are many more characters ... the defrocked priest Peregrini, the Circassian concubine Kararya, the dervish sage Vehbi Dede ...
- Sales Rank: #2234073 in Books
- Published on: 2012-01-03
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .46" w x 6.00" l, .61 pounds
- Binding: Paperback
- 202 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
Leaden Re-Translation of a Classic Turkish Novel Originally Published in English
By Dr. Laurence Raw
First published in English in 1935 and translated into Turkish a year later, THE CLOWN AND HIS DAUGHTER is a seminal novel chronicling the last days of the Ottoman Empire and the turmoil that ensued involving the Young Turk revolution and its aftermath.
The basic story-line is set around a small grocer's shop in Istanbul, focusing on a feckless owner Tefvik and his wife Emine. Emine gives birth to a daughter Rabia; as Tefvik cannot manager the shop adequately, Emine takes over; but grows so frustrated with her husband that she eventually leaves him. Meanwhile Rabia grows up into a woman educated according to Islamic rules, as mediated through Ottoman interpretations. Tefvik leaves the grocer's shop and becomes a famous actor specializing in Karagoz, the ancient Turkish shadow-play. When he returns to the grocer's, he has become intimately involved in the politics of the time; the story unfolds as a conflict between personal and political values, with the Karagoz reminding us of the presence of the spiritual life transcending worldly values, a life that Rabia passionately believes in.
Adivar's narrative unfolds discursively, with several pauses for reflection on the ontological status of the characters in a fast-changing world. This is no bad thing, as it reminds us of the ways in which modern Turkish literature differs from its western equivalents, with the onward focus of a western narrative here sacrificed for a more reflective mode of storytelling, relating the characters more directly to corporeal and incorporeal worlds.
Given the significance of the novel, it's sad to report that W. D. Halsey's translation is particularly leaden, full of awkward phraseology and strange linguistic constructions. As THE CLOWN AND HIS DAUGHTER was originally published in English, we wonder why the publishers thought it necessary to commission a new translation from the Turkish, given that the Turkish was itself a translation of the original English. Re-rendering a novel twice over seems a particularly redundant activity. Readers would be better advised to trawl the lists of secondhand bookshops in Turkey and elsewhere to find a copy of Adivar's 1936 text if they should want to understand how seminal the story actually is.
1 of 1 people found the following review helpful.
Beautiful but translated twice so the soul is washed out.
By Chelseamp
Because it was translated from English to Turkish and then BACK to English, the story seemed thin. I hope I can someday read the original because what little remains after being washed out from translation to translation is still intriguing.
0 of 0 people found the following review helpful.
Five Stars
By John Kellar
very pleased
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